For all its black performers, the rap industry has been run by the white establishment and caters to the white consumer. The commercial success of gangsta rap wouldn’t be possible without North America’s largest demographic buying in. The commercial demand for sexually aggressive and violent rap is appreciably shaped by white teens in the suburbs looking to live out their fantasies via imagined black bodies. And in guiding the market, white consumers dictate the available imagery of blackness.

In the context of this limited representation, black people are cornered into owning all the stereotypes white consumers afford them, particularly when these consumers allegedly “act black.” Black girls who don’t twerk are made invisible because white consumers decide not only what blackness is but also what they want out of it.

Ayesha Siddiqi, “Can the White Girl Twerk?

Phenomenal description of how white consumers in many ways dictate what is and is not an “accurate” performance of blackness, based on what they conceive of as palatable and “accurate” for their white supremacist repackaging and capitalistic consumption of “authentic blackness.”

(via blackinasia)

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